Just a few baby animals to add some cute to your day. We took these at the San Diego Zoo Safari Park.
Just a few baby animals to add some cute to your day. We took these at the San Diego Zoo Safari Park.
Maybe it’s because I was born in Arizona or spent half of my childhood in El Paso. Or maybe it’s because I spent the other half of my childhood imagining I was Luke Skywalker on Tatooine. Whatever the case, I love desolate desert landscapes. We spent half of our Thanksgiving holiday in a desolate landscape photographer’s dreamland: Joshua Tree National Park. And, yes, we listened to U2 on our way there. As one friend told me, that’s not cliché. It’s classic. Here are some of our favorite images from our first day at the park. We focused the first part of our visit on the Joshua trees and the rock formations. We’ll post some images later in the week of the Cholla Cactus Garden and the Cottonwood Oasis.
“Bowing to Shemesh.” Just hanging’ out with some sun worshippers at sunrise in Joshua Tree National Park. Actually, the Joshua trees allegedly got their names from Mormon travelers who thought the trees looked like Joshua raising his arms leading them to the promised land. Print Available.
This seemed like a wise old Joshua Tree. I had fun combining different effects from various plugins for a more artistic approach. Print Available.
We got a little starburst happy on this trip. Michelle caught this great one in the middle of a well developed Joshua Tree. We had fun processing this as a split tone in MacPhun‘s Tonality Pro. Print Available.
Speaking of starbursts, it’s not all about the trees at Joshua Tree. There’s lots of rocky fun, too! I liked how the solar flare worked into the green spots on this one.
Michelle loves to photograph textures and shapes, and this shot definitely demonstrates that. Again, we used MacPhun’s Tonality Pro for some purply monochrome action on this one. Print available.
It’s been a whirlwind week for the geektographers. Last week, we travelled to San Diego for a work conference and were able to add a few days to our trip for some great photography adventures.
One of the highlights of our journey was the chance to meet two of our hero photographers at the San Diego Zoo. Michelle has wanted to go to the San Diego Zoo since she was a child, and the visit definitely brought out the kids in us. There we met my master in The Arcanum, the marvelous Karen Hutton, and her friend and fellow Arcanum master Laurie Rubin, who specializes in wildlife photography and knows the San Diego Zoo like the back of her hand. It was great to watch them work–and work alongside them–in the field! Laurie also filmed the following short video of Karen and I to chronicle the experience!
Karen’s question about what I’ve learned got me thinking, and like most introverts, I came up with tons of things to say after the fact. So here are my top tips for shooting at the zoo:
There was some harsh light on the orangutans but if you wait around a bit, maybe they will dodge the stark shadows for you.
Go on an overcast day. This seems counter-intuitive, especially if you are not a photographer or just started. You would think that it would be best to have a lot of light and a bright blue sky. But too much light washes out the animal fur and can create some very stark shadows given the nature of the obstacles in the habitat. I found this was true with most of my shots of the orangutans. Sometimes I would get a great expression, but there would be a huge shadow caused by their hands or some other element across their faces.
I shot this polar bear through tinted green glass. With the power of post-processing, you can remove most of the tint and other yucky effects of the glass. I processed this using the MacPhun Tonality Pro plug-in.
Don’t be afraid to shoot through the glass. Sometimes this will give you the most intimate portraits, but you need to keep a few things in mind. Try to shoot with the lens as close to the glass as possible, and shoot with the lens perpendicular to the glass. Both techniques will help you eliminate glare.
Try to find out something about animal behavior. We were lucky enough to shoot with wildlife photographer Laurie Rubin, who knows a lot about the ways animals act under certain circumstances. For example, when a bird splashes water on its back, get ready, because the bird will flap its wings for a great motion shot. Likewise, it helps to know when the animals will be the most active. When we went to the San Diego Zoo, for example, the Lions were happy just to nap. The next day at the Safari Park, we got to the Lions earlier in the day, and they were quite animated and playful. Likewise, we saw the cheetahs at the Safari Park right after feeding time. We got to see them eat and frolic before settling down to clean themselves and nap.
Use a long focal length to crop in tight to the action. We had our Sony a6000 with a 70-200mm focal length. Since that is a crop-sensor camera, we had the equivalent of 300mm. Now that pales in comparison to the 100-600mm Tamron lens that Karen was lugging around. Not that I’m jealous or anything.
All of the pictures here are from our morning at the zoo. We will have another gallery and post with images from the Safari Park soon!