Afraid of a Little Rain?

February8-4

“Storm on the Mountain.” I spent most of the morning paying attention to the details and doing some pseudo-macro work. As we were leaving, though, I caught a glimpse of the rain cloud on top of the mountain and went into landscape mode. Another thing I learned about walking in the rain is that is the best time to catch some great fog and mist. I processed this as an HDR image while also overlaying some effects using the “Midnight” setting in Color Efex Pro. Print Available.

February8-3

Atlanta can be weird when it offers you a glimpse of Spring in the middle of Winter. I love the burst of color I saw in these little buds filled with rain drops. Print Available.

As many of you know, I’m teaching a course this semester called “Creation Theology, Spirituality, and the Arts.” I’m having a blast with the course and am learning a lot from my students. One of the plans for the course is to have intentional encounters with nature and to discover our own connection with it and with the divine.

Our first “experiential learning” session was Monday morning, and, of course, the forecast called for rain.
I debated whether or not to cancel, delay, or offer an independent learning session. The rain was fairly mild between 8:00 and 9:00, so I decided to go ahead with the plan.

February8-2

Michelle really liked the wispiness of this shot. Again, I was drawn to the water droplets on each of these shafts of long grass. Print Available.

Of course, when we all got there and emerged from our vehicles, the rain started a bit more in earnest. Luckily, I had read a column earlier in the morning that encouraged me to “think outside the box” even when doing theology. My friend, Carra Hughes Greer, challenged me with these words: “Maybe our quest for knowledge is a bit misguided. We see it as linear; seeking information and truth must lead to answers. Instead, maybe faith is about seeking truth through imagination, a process that is not linear and does not lead to black-and-white answers“(click the link for the full article). I’m so glad that we pressed on through the rain in order to practice mindfulness and a new way of thinking about God and practicing theology. It was a joy to see members of the class walking freely in the rain, using cell phones and cameras to record their encounters, or sitting under shelters with sketchpads and journals.

In conversations afterwards it became apparent that we all needed a jolt out of our patterns of normalcy. When rain threatens, normal people stay indoors. Normal people don’t think about a mindfulness walk at a bird sanctuary. But sometimes the spirit calls us to step out of normalcy and enter into a world of imagination.

February8

This was my favorite shot of the day. I’ve been watching a lot of Don Komarechka‘s macro work and have been fascinated with the refraction of light in water droplets. If you look at the largest drop towards the right, you can see the upside down image of Stone Mountain. Processed with Intensify Pro by MacPhun. Print Available.

 

All images ©2015 Garber Geektography.

Photo of the Day: Not so Killer Croc

The following is a crocodile that my family encountered on our River Wallace boat tour in Belize. I used this croc to play a bit more with the forthcoming texture pack by Karen Hutton and Tanya Wallis. I found a texture that contained a cool/warm tone split that conveniently ran along the same line as the fallen tree. I was going for a crocodile in Dagobah feel with this one.

Here is the croc as I processed it without adding textures.

Here is the croc as I processed it without adding textures. I used all the normal processing tools I normally use to try to enhance the texture of the croc’s scales.

Here is the croc as I added a two tone texture from Karen Hutton's and Tanya Wallis' forthcoming texture pack. The texture had a nice split tone from warm to cold that conveniently mimicked the line of the croc on the fallen tree. I like how the minty portion of the two-tone gave the background the Dagobah-like feel I was trying to suggest.

Here is the croc as I added a two tone texture from Karen Hutton’s and Tanya Wallis’ forthcoming texture pack. The texture had a nice split tone from warm to cold that conveniently mimicked the line of the croc on the fallen tree. I like how the minty portion of the two-tone gave the background the Dagobah-like feel I was trying to suggest. I also cloned out the distracting branches on the left side. The warm center of the texture, coupled with the vignetting also helps draw the eye into the subject more.

Photo of the Day: Happy Birthday Michelle!!!

In a year full of travels, it was always the greatest joy to come home to you, Michelle. It was an even greater joy when you travelled with me. I took this shot when we were on our walk in San Diego. Given your love for all things vintage, it seemed like the perfect image to process for your birthday.

Unconditional Surrender

Unconditional Surrender statue in San Diego, CA. ©2014 Garber Geektography

The Evolution of an Iguana

The original image of the iguana with only a few basic adjustments in Lightroom.

The original image of the iguana with only a few basic adjustments in Lightroom.

Over the past few weeks different people have asked me what I do when I process my photos, so I thought I’d share a bit of the madness behind my method (if there is one). We had a great time over the holidays with my family on a cruise. One of our excursions was on a boat ride down the River Wallace in Belize. We enjoyed spotting some wildlife and saw loads of iguanas along the way. This is one of the better images I got, especially since his eye was in clear view. I made some initial adjustments to the lighting, contrast, and clarity of the photo in Lightroom, but several things were bugging me about the results.

 

A tighter crop of the iguana, but the background still left me feeling, "meh."

A tighter crop of the iguana, but the background still left me feeling, “meh.”

So I ran the image past a few members of my cohort in the Arcanum. It’s always great to have a community of individuals with similar interests but different visions to help you hone in on your creative mojo. They ran several suggestions by me, most of which were to help me focus on the story of the image. This meant a major recomposition through cropping. I felt like I did when I write: it is very painful to cut down an image (or a piece of writing), but it often makes the work tighter and more impactful. So in order to avoid casting Mr. Iguana on the cutting room floor, I had to sacrifice his tail. This new crop eliminated much of the clutter that was distracting the viewer’s eye from the iguana’s face. Continue reading