Takin

San Diego Fun Fest, Chapter One: Tips for Shooting at the Zoo

Baby Orangutan

Baby and mama orangutans snacking on grass.

It’s been a whirlwind week for the geektographers. Last week, we travelled to San Diego for a work conference and were able to add a few days to our trip for some great photography adventures.

One of the highlights of our journey was the chance to meet two of our hero photographers at the San Diego Zoo. Michelle has wanted to go to the San Diego Zoo since she was a child, and the visit definitely brought out the kids in us.  There we met my master in The Arcanum, the marvelous Karen Hutton, and her friend and fellow Arcanum master Laurie Rubin, who specializes in wildlife photography and knows the San Diego Zoo like the back of her hand. It was great to watch them work–and work alongside them–in the field! Laurie also filmed the following short video of Karen and I to chronicle the experience!

Karen’s question about what I’ve learned got me thinking, and like most introverts, I came up with tons of things to say after the fact. So here are my top tips for shooting at the zoo:

  1. Chimpanzee Ropes Course

    There was some harsh light on the orangutans but if you wait around a bit, maybe they will dodge the stark shadows for you.

    Go on an overcast day. This seems counter-intuitive, especially if you are not a photographer or just started. You would think that it would be best to have a lot of light and a bright blue sky. But too much light washes out the animal fur and can create some very stark shadows given the nature of the obstacles in the habitat. I found this was true with most of my shots of the orangutans. Sometimes I would get a great expression, but there would be a huge shadow caused by their hands or some other element across their faces.

  2. Polar Bear Noir

    I shot this polar bear through tinted green glass. With the power of post-processing, you can remove most of the tint and other yucky effects of the glass. I processed this using the MacPhun Tonality Pro plug-in.

    Don’t be afraid to shoot through the glass. Sometimes this will give you the most intimate portraits, but you need to keep a few things in mind. Try to shoot with the lens as close to the glass as possible, and shoot with the lens perpendicular to the glass. Both techniques will help you eliminate glare.

  3. Don’t be afraid to shoot through chain link fences. This is a bit tougher, but if you use a large enough aperture, the fence will blur out under certain conditions. The subject should be far enough away from the fence to get the blurred effect. If the critter is too close, the fence will be in focus as well. This counts for fences on the other side of the habitat as well, which can make for some not so pretty backgrounds.
  4. Takin

    I got some great eye contact with this takin while waiting in the line for the pandas.

    Try to find out something about animal behavior. We were lucky enough to shoot with wildlife photographer Laurie Rubin, who knows a lot about the ways animals act under certain circumstances. For example, when a bird splashes water on its back, get ready, because the bird will flap its wings for a great motion shot. Likewise, it helps to know when the animals will be the most active. When we went to the San Diego Zoo, for example, the Lions were happy just to nap. The next day at the Safari Park, we got to the Lions earlier in the day, and they were quite animated and playful. Likewise, we saw the cheetahs at the Safari Park right after feeding time. We got to see them eat and frolic before settling down to clean themselves and nap.

    Panda Portrait

    We were lucky and got to the pandas right before feeding time, which meant they were curious and playful.

  5. Hunting panda

    The keepers hide the food in the habitat to encourage the pandas to hone their foraging skills.

    Use a long focal length to crop in tight to the action. We had our Sony a6000 with a 70-200mm focal length. Since that is a crop-sensor camera, we had the equivalent of 300mm. Now that pales in comparison to the 100-600mm Tamron lens that Karen was lugging around. Not that I’m jealous or anything.

  6. If an animal is feeling lazy, check back with them later in the day. In the morning, we walked by the snoozing polar bears. We went by later that afternoon and were able to catch a few waking moments for some portrait shots.
  7. Regardless of the circumstances, have fun shooting anyway. We visited both the Zoo and Safari Park on very bright, harshly-lit days. That didn’t stop us from trying to find good shots or from having fun. Sometimes you can’t plan a shoot around the weather, especially if you’re visiting another city, so make the best of it!

All of the pictures here are from our morning at the zoo. We will have another gallery and post with images from the Safari Park soon!

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You See, but you Do Not Observe: Why I love Sherlock and Macro Photography

Sappy

Last year in the early morning at the Grand Canyon, this tree sap caught my eye.

I adore Sherlock Holmes. Truly. I fell in love with the stories by Sir Arthur Conan Doyle as a child and then, later, the BBC television show starring Bendedict Cumberbatch and Martin Freeman. I continue to be intrigued and captivated by both the mysteries themselves and the secret of Sherlock’s power of observation.

Grand Canyon

A cool device used to point out the different geographical elements at the North Rim of the Grand Canyon. I was drawn to the textures of the brass, as well as the initials carved on the sides.

Of course, as Sherlock would state in no uncertain terms to his friend and colleague, Dr. John Watson, there is no “secret.”  Shortly after meeting Sherlock, John Watson, the reader/viewer’s entry point into Sherlock’s world, admits his consternation and delight in Sherlock’s abilities.  Watson then grants the audience access to Sherlock’s thoughts and echoes the question we all have at some point—how does he do it? Holmes, in response to Watson’s query, responds, “You see, but you do not observe.” Huh. Ok. But what does that mean? Continue reading

Children Flying

Who Wants to Send us on a Scavenger Hunt?

Children Flying

On the Date Night scavenger hunt, the leader asked us to find children flying in Decatur. Dave went back and reshot this iconic sculpture for the “silhouette” category for his Arcanum scavenger hunt.

Who wants to send us on a scavenger hunt?

I must confess, I love scavenger hunts. I enjoy the mystery, the competition, and the creativity. It’s like a quest, but with a list instead of a map. And you use a camera instead of a sword (but I like swords, too!). There’s a focus and a purpose with scavenger hunts, but still plenty of room for improvisation and imagination.  What’s not to love?

Kissing Couple

Michelle’s interpretation for the “couples kissing” category for the Decatur Date Night scavenger hunt with the Showcase School of Photography

Photo scavenger hunts can make fun date nights, party games, or family activities. The captured photos offer interesting insights into people’s thought processes based on how they have interpreted items on the list. A photo isn’t always just a photo! When making a list, try to think outside the box and allow flexibility in interpretation. Think of items that could be interpreted in several different ways. Dave and I went on a fun date night scavenger hunt in Decatur with the Showcase School of Photography this summer, and we pursued themes like “patriotic,” “something cold,” and “something that makes you laugh.” Of course, Dave was a bit grumpy being told what to shoot (he’d make a great 12th doctor). The evening’s activity encouraged me to see the familiar sights of the Decatur square in a new way, paying attention to details, such as patterns, colors, and out-of-the-way spaces. Continue reading

Poisonous Perspectives

It’s time to put the “geek” into “Garber Geektography” with a look back at one of my first photo assignments on “perspectives” in The Arcanum. Karen Hutton presented us with a pretty basic, but eye-opening challenge to produce three images of three different subjects from three different vantage points. She wanted one shot from below, one shot from above, and one from a straight perspective. So what’s a geek to do when presented with such a challenge? Go grab Michelle’s Poison Ivy figurine for a date at the Atlanta Botanical Gardens, of course (the date was with Michelle, not Poison Ivy …  ’cause that would be weird).

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Poison Ivy from the low angle.

I really did not know how tricky this was going to be when I started, given the size of the small bust designed by comic book artist Amanda Conner. I wanted to place Ivy in her natural habitat and sought out flora that complimented the color scheme. This meant lying down on the sidewalk along the gardens, figuring out the best light and angle, while also trying to find a slight slope to get the “from below” angle. This proved the most elusive perspective, given the fact that Ivy is looking up while I wanted to focus on the eyes. I also had limited myself to using the 35mm prime lens that I had at the time, which meant that in addition to lying on the ground, I had to get pretty close. I wasn’t as happy with this image, because the angle didn’t feature the eyes or face as well as it should. I do like, however, how the lines of the background landscape look from this angle, something that would later influence my landscape photography. I probably also looked more than a bit strange as I was arranging the dead roots to camouflage her base. I think at one point, a mother came by as I was lying on the ground and said to her daughters, “Awww, look, he’s taking pictures of a fairy.” I don’t think Pamela Isley would like that one bit. Continue reading