Some Whirly-Twirly Fun

DSC02823-EditSo my Arcanum Sphere 2 cohort has become obsessed with (or possessed by) this fun twirl technique in Photoshop. I finally got around to joining in the fun today. I wanted to pick something both colorful and spiritual, so I chose this photo from the Tibetan sand mandala process I witnessed in the spring. I followed the examples from Alicia D’Amico’s twirling tutorial (see the end of the post for the video).

After doing the basic work of the tutorial, I played with some lighting, saturation, and contrast issues in Viveza by NiK Software and then made some color adjustments in Lightroom.

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The resulting pattern reminds me of both a lotus flower and the acorn. Additionally, the sweeping lines of color from the corners reminded me of the process of mandala destruction as the monks brush the sand towards the center of the image.

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After playing with the saturation slider, I also wanted to try a monochrome image. I decided to do a split-tone version of the same image in MacPhun’s Tonality Pro. This gave me a totally different feeling, with more appreciation for the lines, structure, and appearance of light and shadow in the image.

Here is the instructional video!

Twirl Photoshop Tutorial by Pure Emotions Photography from Alicia D’Amico on Vimeo.

Sacred Detail: The Completion and Dismantling of the Sand Mandala

After discovering the Tibetan practice of the Sand Mandala through the Emory-Tibet partnership last Monday, I visited the display daily, with the exception of Tuesday, to view the progress. You can read about my experience of the opening ceremony and line drawing here and my experience of viewing the construction of the initial stages of the mandala here.

Geshe Lobdang Tenzin Negi is a senior lecturer and the director of the Emory-Tibet Partnership. Here he is explaining the symbolism of the mandala.

Geshe Lobsang Tenzin Negi is a senior lecturer and the director of the Emory-Tibet Partnership. Here he is explaining the symbolism of the mandala.

I choose the word “construction” intentionally, as I learned throughout my experience that the monks envision the mandala in three dimensions. It is a model of the cosmos and resembles the structure of a temple or shrine. At the heart of this particular mandala is the Buddha of Compassion, Arya Avalokiteshvara. According to the lecturer at the closing ceremony, Geshe Lobsang Tenzin Negi, the devotees contemplate the Buddha of Compassion in order to cultivate an attitude of compassion towards all sentient beings. They contemplate how compassion can manifest in holistic medicine and spiritual knowledge and also to inform ethical behavior and the resolution of political tensions.

During the closing ceremony and dismantling, the monks chant prayers of compassion. The dismantling conveys the impermanence of all things, and there is a mixture of emotions, particularly from the unfamiliar onlookers on the dismantling of the exquisite artwork. The monks distributed some of the sand to the spectators, but carried most of it in a sacred urn which they traditionally pour out into a flowing body of water that carries their compassionate prayers to the entire cosmos. After a procession around Emory University, they carried the urn to a creek behind the Michael C. Carlos Museum to complete the ritual.

If you ever want to view variations on the ritual, there are several videos of these monks performing the ceremonies online. These are also the same monks featured in episode 7 of season 3 of House of Cards. We, of course, had to binge watch the season in order to see the brilliant cinematography of the construction and closing rituals. I even used the images and my experiences in my “Creation Theology, Spirituality, and the Arts” course this morning to talk about analogous thoughts of impermanence in Ecclesiastes and temple construction in Ezekiel.

Here are my final images of the series.

The inner sanctum of the Sand Mandala. The Buddha of Compassion is at the center of the structure. Representations of other deities surround the center, places on eight petals of the lotus flower.

The inner sanctum of the Sand Mandala. The Buddha of Compassion is at the center of the structure. Representations of other deities surround the center, placed on eight petals of the lotus flower.

The monks putting the finishing touches on the nearly completed mandala.

The monks putting the finishing touches on the nearly completed mandala.

A detail shot of the outer courtyard of the mandala. I was impressed with the detail in the figures of various creatures.

A detail shot of the outer courtyard of the mandala. I was impressed with the detail in the figures of various creatures and the two-toned swirls of clouds.

Another perspective on the details of the outer sphere.

Another perspective on the details of the outer sphere. Is that a monkey in the lower left quadrant?

A monk lays the initial lines of the outer lotus petal ring.

A monk lays the initial lines of the outer lotus petal ring.

Another perspective on the lotus petal ring.

Another perspective on the cloud creation.

The filigree on the outermost ring represents the flames of wisdom that purify the one who enters into the mandala.

The filigree on the outermost ring represents the flames of wisdom that purify the one who enters into the mandala. The flames consume all negativities and ignorance.

The three outer rings surround the mandala. The outmost ring represents flames of various colors. The black and yellow ring represent a three dimensional cosmic dome that surrounds the mandala. The innermost of the three rings consists of lotus petal designs.

The three outer rings surround the mandala. The outmost ring represents flames of various colors. The black and yellow ring represents a three dimensional cosmic dome that surrounds the mandala. The innermost of the three rings consists of lotus petal designs.

The beginning of the dismantling ceremony. The dismantling involves the same precision and contemplation as the construction.

The beginning of the dismantling ceremony. The dismantling involves the same precision and contemplation as the construction.

©2015 Garber Geektography. These images are not for sale or for any type of commercial use in accordance with the wishes of the Drepung Loseling Monastery, Inc.

Sacred Color: Some In Progress Shots of the Sand Painting Mandala

Here is an in progress gallery of the Sand Painting Mandala created by the Drepung Loseling monks. I am enthralled with the entire process, but I will just let the images speak for themselves. I did learn today that the sand is actually crushed marble. There is still time left to view the process on the top floor of the Michael C. Carlos Museum at Emory University in Atlanta tomorrow from 10 a.m. to 5 p.m. The closing ceremony will take place on Saturday, March 28, from 1 p.m. to 3 p.m.

See the beginning of the process in my previous blog post: Sacred Geometry.

A monk refills his Chak-pur with white sand and tests the flow.

A monk refills his Chak-pur with white sand and tests the flow.

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Yes, I know this is not color, but I like how the monochrome brings out the intricacy of the design. The communal nature of the art also moved me.

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A monk traces guidelines for the next image in the yellow sand with a stylus.

A monk traces guidelines for the next image in the yellow sand with a stylus.

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A close-up of the above photo, showing the delicacy of the process.

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Another close-up of the above process. I cannot fathom the patience it takes to do this kind of work!

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A monk demonstrates the process to a young visitor on the community sand painting.

A monk demonstrates the process to a young visitor on the community sand painting.

All images ©2015 Garber Geektography. They are not for sale or commercial use.